SEPPHORIS, ISRAEL

Sepphoris Synagogue

A long, narrow synagogue in the Galilean city of Sepphoris, dated by its excavators to the early fifth century CE and destroyed at the end of the Byzantine period. Its walls are gone, but the mosaic floor, with a zodiac, biblical scenes and donors' inscriptions, survives in Zippori National Park.

Fertiggestellt
Early 5th century CE (disputed)
Zerstört
7th century CE durch an unknown cause
Architekt / Stil
Unknown · Late antique basilical hall
Kapazität
Unknown
Zufällige Synagoge

Nehmen Sie sich einen Moment zum Innehalten und bewahren Sie die Erinnerung an diese Synagoge und ihre Gemeinde in Ihren Gedanken. Zünden Sie eine Kerze für sie an.

A long, narrow mosaic floor, much of it bare where the tesserae are lost, with figured panels and Greek inscriptions surviving on the left, a great circle further back, low stone walls on both sides and a single column on a pedestal at the far end; a few visitors stand on a walkway.
FOTOARCHIV

Bilder der Synagoge

A long, narrow mosaic floor, much of it bare where the tesserae are lost, with figured panels and Greek inscriptions surviving on the left, a great circle further back, low stone walls on both sides and a single column on a pedestal at the far end; a few visitors stand on a walkway.
01The nave mosaic of the Sepphoris synagogue seen along its length towards the bema end, with the low remains of the walls and one column; photographed in 2011 under the modern shelter.Photo: Bukvoed, 19 April 2011, via Wikimedia Commons (File:Tsipori-2-273.jpg; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Tsipori-2-273.jpg)
View across a sunken rectangular floor with faint mosaic patterns, edged by low courses of pale stone blocks; a short column stands on a square pedestal in the foreground and two column bases lie on the floor, all under a dark modern ceiling with spotlights and glazed sides.
02The excavated remains from the side: low stone walls, a column on its pedestal and the mosaic floor, beneath the roof of the modern shelter (undated photograph).Photo: Yael Alef, via Wikimedia Commons (File:Zippori.jpg; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Zippori.jpg)
Oblique view of a large circular mosaic framed by a twisted-rope border: at the centre a rayed sun above a four-horse chariot inside a ring of Greek letters, and around it wedge-shaped compartments with human and animal figures and Hebrew labels, several of them lost.
03The zodiac band of the mosaic: the chariot of the sun in the inner circle, ringed by a Greek dedication, with the twelve signs labelled in Hebrew around it (photographed 2019).Photo: Yair Haklai, 29 August 2019, via Wikimedia Commons (File:Zodiac Mosaic-Tzippori synagogue.jpg; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Zodiac_Mosaic-Tzippori_synagogue.jpg)
Oblique view of several mosaic panels in pale stone: a seven-branched lampstand and a small columned building with a gable at the left, a damaged panel with a chequered rectangular structure in the middle, and at the right a woven basket of fruit with hanging birds and cymbals above a round table set with loaves; column bases rest on the floor behind.
04The bands of the mosaic nearest the bema: an ark-like gabled facade and a menorah, the damaged altar scene, and the showbread table and basket of first fruits (photographed 2019).Photo: Yair Haklai, 29 August 2019, via Wikimedia Commons (File:Jewish symbols-Tzippori synagogue mosaic.jpg; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Jewish_symbols-Tzippori_synagogue_mosaic.jpg)
Mosaic panel showing two young men, one in a red tunic seated at the foot of a scale-patterned hill and holding a halter, the other standing with a staff or spear, beside the head of a donkey with a pack saddle; lines of Greek lettering run along two sides and a twisted-rope border frames the scene, with the edge of the zodiac circle at the upper left.
05Panel from the Binding of Isaac band: the two servants left with the donkey at the foot of the mountain, with Greek dedicatory inscriptions beside them (photographed 2012).Photo: Hanay, 12 April 2012, via Wikimedia Commons (File:Tzippori synagogue 1.JPG; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Tzippori_synagogue_1.JPG)
Damaged mosaic panel in pale stone showing a small animal in outline, a black two-handled jar, a chequered box and two long curved horns, with rows of Hebrew letters at the left; above it part of a round table ringed with discs, and at the right the twisted-rope border of the zodiac circle.
06Panel from the Temple-offerings band beside the zodiac, apparently the daily offering: a lamb, a dark jar, a chequered container and two trumpets, with the round showbread table beyond (photographed 2012).Photo: Hanay, 12 April 2012, via Wikimedia Commons (File:Tzippori synagogue 1 (6).JPG; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Tzippori_synagogue_1_(6).JPG)
Close view of a mosaic bust of a woman with curly hair pinned up, wearing a yellow-brown sleeveless dress, between Greek and Hebrew lettering, with a round basin, a woven basket, a small sickle and a lily around her, set in the corner between a curved and a straight twisted-rope border.
07Corner of the zodiac square: the personification of spring, labelled 'season of Nisan' in Hebrew and 'spring equinox' in Greek, with a basket, a bowl of flowers and a sickle (photographed 2011).Photo: Bukvoed, 19 April 2011, via Wikimedia Commons (File:Tsipori-2-317.jpg; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Tsipori-2-317.jpg)
A strip of mosaic floor patterned with interlaced circles and chequered squares in white, pink and grey, in which three small rectangular panels hold lines of square Hebrew-script lettering; part of the pattern is missing at the bottom and a worn stone block sits at the upper left.
08The geometric mosaic of the north aisle with three framed Aramaic dedications of the 'Remembered be for good' type (photographed 2011).Photo: Bukvoed, 19 April 2011, via Wikimedia Commons (File:Tsipori-2-291.jpg; 1920 px rendition) (https://commons.wikimedia.org/wiki/File:Tsipori-2-291.jpg)
ÜBERBLICK

Die Geschichte von Sepphoris Synagogue

Sepphoris (Hebrew Tzippori, Byzantine Diocaesarea) was a leading city of Lower Galilee and, according to the Israel Nature and Parks Authority, the place where Rabbi Judah Ha-Nasi redacted the Mishnah around 200 CE. The synagogue described here stood north-east of the acropolis, beside a street running parallel to the main north-south street, in what its excavators took to be a residential quarter. It was found in 1993 during construction work at the edge of the archaeological park and was excavated for the Hebrew University of Jerusalem by Zeev Weiss and Ehud Netzer in 1993-1994 and by Weiss in 1996-1998.

The building was an elongated rectangle of about 20.7 by 8 metres, with a narthex, a nave and a single aisle on the north. Weiss and Netzer dated its construction to the first half of the fifth century CE from coins found beneath the floor; Z. U. Maoz has since argued for the sixth century. The nave was paved with a figured mosaic of seven bands: lions flanking a wreath, an ark-like facade with two menorahs, Aaron at the altar, the daily offering, showbread table and first fruits, a zodiac around the chariot of the sun, the Binding of Isaac, and the visit of the angels to Abraham and Sarah. Dedications in Aramaic and Greek name the donors.

The excavators concluded that the synagogue was destroyed at the end of the Byzantine period. Its walls were later stripped; the floor remains in place.

STANDORT

Where it stood

Ancient Sepphoris (Diocaesarea), north-east of the acropolis; historic street name unknown. Today: Zippori National Park, near Moshav Tzippori, Lower Galilee, Israel. Pin from a published database of ancient synagogues (approximate).

Größere Karte öffnen →

Die jüdische Gemeinde

The Israel Nature and Parks Authority describes Sepphoris as a city often mentioned in the Talmud as Jewish, with study houses and eighteen synagogues; Rabbi Judah Ha-Nasi lived there for seventeen years and the Sanhedrin sat there. Weiss and Netzer write that the Jewish community kept its relative majority through the Byzantine period and built many synagogues, although only two of that period have been found, with some evidence of a third. At its height the Byzantine city covered more than 40 hectares and held perhaps 15,000 to 20,000 people. The Christian community was growing: two churches were built near the central crossroads in the late fifth or sixth century and the city had a bishop. This synagogue probably served the Jews of the surrounding residential area. Its inscriptions give the only names known for the congregation: families named in Aramaic, such as those of Yudan, Tanhum, Yose and Shimon, and others named in Greek, such as Boethos son of Aemilius and Paregorios. One donor is called a priest and another a Levite. No office-holder of the congregation is named in the sources read, and its size is unknown.

Architektur und Gestaltung

The building is the narrowest ancient synagogue so far uncovered in the country: about 20.7 metres long and 8 wide (the Epigraphy and Identity database gives 20.8 by 7.7). It was entered through a doorway in the south wall, not on the main axis; the long, narrow shape apparently results from fitting it into an existing urban setting. A narthex, with a water cistern beneath its floor, led into a main hall of 16.1 by 6.5 metres, divided lengthwise by a row of five supports into a nave and one aisle on the north side, where most ancient synagogues have two aisles. A raised bema of about 5 by 2.4 metres stood at the west end of the nave, so the hall faced away from Jerusalem. The nave mosaic measures about 13.5 by 4.5 metres and is divided into seven bands and fourteen panels framed by guilloche, all meant to be read facing the bema; the zodiac occupies a square of 3.3 metres. The aisle and the spaces between the columns had geometric carpets with Aramaic dedications. The height of the walls, the roof, the seating and the builder are unknown.

Leben in der Synagoge

No account of the services held here survives; what is known comes from the floor. A worshipper entering crossed the scene of the three visitors to Abraham and Sarah and the Binding of Isaac, then the zodiac with the months and signs labelled in Hebrew and the seasons in Hebrew and Greek, then panels of Temple worship, and reached the bema past an ark-like facade flanked by menorahs. In this zodiac the chariot carries a rayed sun, not the figure of the sun god Helios. Weiss and Netzer read the whole programme as a message to the congregation that God, who promised Abraham descendants, would rebuild the Temple and redeem Israel, themes they also find in the prayers, sermons and liturgical poetry of the period. The donors paid for the floor panel by panel. Greek dedications in the nave record that Judah son of Monimos and Boethos son of Aemilius, each with his children, made a panel, in one case following a vow. Aramaic dedications in the aisle ask that families be remembered for good. The furnishings and the small finds were not described in the sources read.

Zerstörung

Weiss and Netzer, who dug the building, wrote in 1996 that the coin evidence shows it was built in the first half of the fifth century CE and was destroyed at the end of the Byzantine period, which here means the early seventh century. They do not name a cause for the synagogue itself. For the city as a whole they report that many Byzantine buildings show clear signs of destruction by fire, which could be linked to the Persian occupation, to the Arab conquest, or to an earthquake of unknown date. Sepphoris opened its gates to the Persians in 614 and was taken by force by a Muslim army, probably in 635; the volume's chapter on the Arab period says the cause and exact date of the fire cannot be established. No source read names anyone who destroyed the synagogue. The Epigraphy and Identity database of the University of Warsaw says only that the building fell out of use in the early Islamic period. Afterwards its stone was taken: the walls were destroyed, the side wall of the bema was looted, damaging the first mosaic band, and the narthex floor was lost.

Das Schicksal der Gemeinde

According to Weiss and Netzer the population of Sepphoris began to fall in the Early Arab period and the standard of living dropped; many buildings were abandoned or put to other uses. What became of this congregation is unknown. The 1996 exhibition volume gathers the few later traces of Jews in the town. Early Arabic polemic against the Umayyad family spoke of 'a Jew from the Jews of Sepphoris'. Documents from the Cairo Geniza, probably of the eleventh century, mention Yefet ben Amram of Sepphoris, author of a work on cemeteries and funerals, and a copyist, Shemaiah ben Abraham. Benjamin of Tudela, visiting about 1165, did not report a Jewish community. Petachya of Regensburg, in the late twelfth century, met a spice seller and physician named Nehoray who showed him a pedigree going back to Rabbi Judah Ha-Nasi; his account suggests this was the only Jewish family left. Some local families later held traditions that their ancestors had been Jews who converted to Islam or Christianity. There is no indication of Jews living there in the early Ottoman period. The Arab village of Saffuriyeh occupied the site until the 1948 war.

Der Ort heute

The remains lie in Zippori National Park, run by the Israel Nature and Parks Authority, on the northern part of the site, and are reached with the park entrance ticket. The mosaic floor is displayed where it was found, under a modern roofed and glazed shelter with a visitors' walkway around it. Photographs show low courses of stone wall around the floor and one column standing on a pedestal; how much of this masonry is original and how much is conservation work was not established in this research. Large parts of the nave mosaic are missing, the aisle carpet is badly damaged and the narthex mosaic is lost. The Byzantine-period building itself no longer stands.

PERSONEN

Bedeutende Namen

Yudan son of Isaac the Priest

5th century CE (date of the inscription)Donor named in an Aramaic mosaic inscription in the north aisle

An Aramaic dedication set in the geometric mosaic of the synagogue's north aisle reads: 'Remembered be for good Yudan son of Isaac the Priest and Parigri his daughter. Amen. Amen.' It records a gift towards the floor by a man of priestly descent and his daughter, the only woman named in the inscriptions read for this entry. Nothing else is known of them.

Biografie oder Quelle →

Judah son of Monimos

5th century CE (date of the inscription)Donor of the central panel of the zodiac mosaic

A Greek dedication running in a band around the chariot of the sun at the centre of the zodiac asks that Judah son of Monimos be remembered for good and for benediction with his children, who 'made this whole panel following a vow'. He and his family therefore paid for the centrepiece of the synagogue's nave mosaic. Nothing else is known of him.

Biografie oder Quelle →

Boethos son of Aemilius

5th century CE (date of the inscription)Donor of a panel of the nave mosaic

A Greek dedication in the nave mosaic, ending with the word Amen in Hebrew, reads: 'Be remembered for good Boethos son of Aemilius with his children. He made this panel. A blessing upon them. Amen.' The text is in Greek, like most of the dedications in the nave, while those in the aisle are in Aramaic. Nothing else is known of him.

Biografie oder Quelle →

Tanhum son of Yudan

5th century CE (date of the inscription)Donor named in an Aramaic mosaic inscription in the north aisle

An Aramaic dedication in the north aisle of the synagogue reads: 'Remembered be for good Tanhum son of Yudan and Samqah and Nehorai sons of Tanhum.' It commemorates a father and his two sons who gave towards the aisle mosaic. Whether his father Yudan is the Yudan son of Isaac the Priest named in a neighbouring inscription is not known.

Biografie oder Quelle →
Helfen Sie, die Erinnerung zu bewahren

Haben Sie etwas beizutragen?

Fotos, Dokumente, Familiengeschichten oder Erinnerungen an diese Synagoge und ihre Gemeinde halten ihre Geschichte lebendig.

Material teilen
QUELLEN & WEITERFÜHRENDE LITERATUR
COMMENTS

Share a memory or thought

No comments yet. Be the first to add one.

Please keep it kind and respectful. No links.